ACT 0 EPHEMERA NARRATIVE FIELDWORK EROS, ALWAYS ALREADY ACT 1 EPISODE 1 SCENE 1 SCENE 2 SCENE 3 EPISODE 2 SCENE 4 SCENE 5 SCENE 6 EPISODE 3 SCENE 7 SCENE 8 SCENE 9 ACT 2 EPISODE 4 SCENE 10 SCENE 11 SCENE 12 EPISODE 5 SCENE 13 SCENE 14 SCENE 15 EPISODE 6 SCENE 16 SCENE 17 SCENE 18 EPISODE 7 SCENE 19 SCENE 20 SCENE 21 ACT 3 EPISODE 8 SCENE 22 SCENE 23 SCENE 24 EPISODE 9 SCENE 25 SCENE 26 SCENE 27 EPISODE 10 SCENE 28 SCENE 29 SCENE 30 EPISODE 11 SCENE 31 SCENE 32 SCENE 33
INT. ACADEMIC LIBRARY
FADE IN:
MIDPOINT: Episode 5: Openings: Archive Dream Sequence
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Compiling problems, linear continuity doesn't add up a tangle of points (cultural hubs), lines (interpersonal), and emotions (personal agendas). It is pandemonium on top of representational realist impossibility. Collapsing and moving image network maps.
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NEED TO DESCRIBE THE SCENE
MUSE
I see you opened an arts based literary press.
THE PIONEERS
It’s not a press. She’s a piano teacher. Her name is Vera Maurina Press.
ACTOR
Ran in Scriabin’s circle. Taught Morton Feldman.
DISSOLVE TO: BLACK
INT. ACADEMIC LIBRARY
FADE IN:
MIDPOINT: Episode 5: Openings: Archive Dream Sequence
CUT TO:
Live streaming interfaces with slight lag times in grids, conventional interview with over the shoulder, 3/4 view, in conversation with each other.
NEED TO DESCRIBE THE SCENE
MUSE
Discourse.
THE PIONEERS
Mostly chatter and nepotism.
ACTOR
‘News is the first draft of history.’ – Alan Barth
DISSOLVE TO: GREY
INT. ACADEMIC LIBRARY
FADE IN:
MIDPOINT: Episode 5: Openings: Archive Dream Sequence
CUT TO:
Video conferencing and live streaming as close ups, zoom shots, and MUSE, THE PIONEERS, and ACTOR directly facing camera
CUT TO:
NEED TO DESCRIBE THE SCENE
MUSE
Freedom.
THE PIONEERS
Freewheelin’ freedom, creative commons, and Internet free.
ACTOR
Free labor. It circles back, but changed into exploitation.
DISSOLVE TO: WHITE
